Search Results

“... Two months after Tennyson’s death Burne-Jones was reluctantly following the instructions of the poet’s widow and son in repainting the portrait of Tennyson as a young man which now hangs in the National Portrait Gallery. Emily Tennyson had never liked the picture, perhaps in part because she also disliked Edward FitzGerald, who had originally commissioned it from Samuel Laurence ...”

“... When he first heard of William Morris’s death, Wilfrid Scawen Blunt wrote in his diary, ‘He is the most wonderful man I have known,’ then added more equivocally: ‘unique in this, that he had no thought for anything or person, including himself, but only for the work he had in hand.’ This handsome new edition of Morris’s letters does not entirely answer our natural question of how a man so often apparently unmoved by other persons should have had the explosive creative energy to become famous as poet, artist, decorator, printer, manufacturer and socialist ...”

“... For three centuries Rochester has been in and out of the pantheon of English poetry, but today we can see more clearly that the romantic image of the lyrical libertine who underwent a spectacular deathbed conversion has obscured a major poetic talent. Not that the old picture was wrong, but it was partial. The trouble has been that it is hard to fit his philosophical and religious beliefs, poetic practice and dissolute life into a whole ...”

“... that he has decided to live for the sake of those whose warm feelings he had misunderstood.’ In Martin Seymour-Smith’s Robert Graves: His Life and Works Dunn is described as the man who saved Graves’s life, though Dunn does not mention so routine a matter. The most interesting reference to Sassoon in Dunn’s text arises from his ‘quixotic ...”

“... is sui generis in the same way. It also seems to stand outside its author. Although Professor Martin does the best that can be done with him, FitzGerald was not, from the literary point of view, a particularly interesting man. He lacks the artistic quiddity of even such minor Victorian figures as Coventry Patmore or Francis Thompson. He is cousin to ...”

“... in the museum of the past. So many Victorian things do; it seems a feature of that epoch. R.B. Martin’s skills as a biographer, already manifest in his detailed and persuasive studies of Tennyson, FitzGerald and Charles Kingsley, are at their best in that rich Victorian ambience where religion, art and sex mingled in an unself-conscious totality. He ...”

“... or Ginsberg, a poet for the wild Sixties. A provocative spin was given to the debate by Robert Bernard Martin in his Tennyson: The Unquiet Heart (1980). Martin traced the Tennysonian gloom back to the fear of stigmatising illness. Young Alfred’s formative years, according to this biography, were haunted by ‘the ...”

“... Robert Martin’s book is not one of those literary biographies that reshuffle a familiar narrative and perhaps add a few bits of new information or conjecture. It is a full-scale life, founded on primary sources, many of them previously unpublished. As the first major biography since Hallam Tennyson’s pious memoir of 1897, it has obvious importance ...”

“... Illustration surely means just illustrating the image before you, not inventing it.’ Martin Harrison, the editor of the Bacon catalogue raisonné currently in preparation, has produced a scrapbook of illustrational materials from Bacon’s studio floor, among them dog-eared pages torn from magazines, newspaper cuttings with rusty paper clips ...”

“... Since I am about to comment on other people’s published reactions to Martin Amis’s novel Other People, it seems right to state in summary form my own feelings on the main matters that divided the reviewers. I thought it a remarkable work, highly readable and enjoyable, not incomprehensible or unduly difficult ...”

“... and log every instance, all the way from D.H. Lawrence and Anna Wickham through John Betjeman to Martin Amis, of one single placename’s use to connote a vast tundra of anodyne, apathetic anonymity. Here, though, Croydon is exactly where you’d expect Lodge to make his couple come from: a prompt for often disappointingly chummy humour at the expense of ...”

“... censors and the press. In Britain an Ibsen campaign was started by an unlikely pair, George Bernard Shaw and the aspiring writer William Archer, who also became Ibsen’s first English translator. Shaw’s pamphlet, The Quintessence of Ibsenism, makes Ibsen into a Norwegian Shaw, intent on shocking Britain out of its Victorian wits. Shaw liked best ...”

“... the widespread, if largely unexamined view that his time at the BBC was mostly unprofitable. As Bernard Crick writes in the briefest chapter of his authorised biography – the chapter entitled ‘Broadcasting Days (1941-43)’: ‘Then for two precious years his talents were mainly wasted, his colleagues later agreed, in producing cultural programmes for ...”

“... Nietzsche’s first book, The Birth of Tragedy, was published in 1872, when he was 27, and while he was a Professor of Classics at Basel. It had the unusual effect, for him, of attracting some attention at the time of its appearance: after that, Nietzsche’s writings virtually ceased to be noticed until the 1890s, by which time he was, for the last 11 years of his life, insane, virtually without speech, and out of touch with the world ...”

“... liked cricket, bridge (with, among others, the ‘Machiavellian’ David Sylvester), chess (with Martin Amis, who felt humbly as if he always had, or anyway always ought to have, the black pieces). Women found him instantly attractive. And he rode a motor bike. The illustrations here are more than adequate reminders of his dash and industry. On the whole, as ...”